Rolando rodriguez bandach
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His video installation of two TV monitors play two of his short films, one is a playful examination of the self throughout the streets of New York titled “Surrender”. For writer Alison Lurie the language of clothes is a way to converse. Through clothing Rodriguez makes a poignant statement: the language of clothes conveys social, gender, cultural and political connotations. In “The Council of Rolando and Malte” the use of flower pattern shirts is Rodriguez’s queer exclamation mark. The suspended clothes line installation with bright intricate organic patterns not only accompanies his photography, but speaks of the duality between his male femininity as a dimensional branch to his otherness. In his 2013 image “The Apparation of the South Central Angel” Rodriguez addresses the duplicity between human and angel and, “how early on in our communities we learn from adults, particularly from teachers who live outside our neighborhoods and institutions that we have to leave in order to be saved.” Rodriguez brings out the color of a community who for the most part have been under-served. South Central Los Angeles is the playground setting of much of his photography.
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Balloons are a constant element in his photography they have come to symbolize flight and voyage and can best be visualized in “The Great Escape”. There is a quest in his work that seeks clues to many of his unanswered questions.
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He unfolds his sexuality like a delicate free flowing spring breeze. A glamorous red glitter Dorothy shoe filled with green grass is Rodriguez’s special hint to the world he belongs to and cares for. In a chronological installation, he begins with what can be interpreted as self displaying subliminal colorful messages of breaking away, of his childhood in South Central Los Angeles, and what it means to be a young Latino queer.
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In his series of self portraits he shares his desires, dreams and struggles. The invention of these characters is Rodriguez’s way of mediating between the real and the magical. The fictional character in his photography is Rodriguez himself. His directorial short films have debuted at the Outfest LGBT Film festival in Los Angeles. He’s earned a degree in architecture from Columbia University in New York City. Rodriguez is a contemporary Los Angeles-based artist, film-maker and writer. Ropa Sucia (dirty laundry) journeys into Rodriguez’s rite of passage which, through the language of clothes and vernacular Salvadoran expressions, examines his Latino identity and traces his family’s history. A play between words, ideas and objects, his three-pronged exhibit consisted of video, a clothes line installation and photography, a multi-conceptual approach to his creative process. Rolando Rodriguez’s solo exhibition Ropa Sucia at the Jean Deleage Art Gallery at Los Angeles’ Casa 0101 Theater was a two part theatrical exposure influenced by magical realism.